ABOUT ME

Hi there!
My name is Najah Majed, I'm a 20 year old producer and story teller, who works primarily with vocal synthesizers!

I use they/them pronouns, and I'm an Iraqi immigrant. Arabic is my first language.

I make music on FL Studio, Synthesizer V, Vocaloid Editor, and Audacity.
I draw on Clip Studio Paint, and edit videos using Capcut.

My non-vocalsynth special interests consist of Fullmetal Alchemist: Brotherhood, The Owl House, Pokemon, Mad Rat Dead, Bluey, Total Drama, and Osomatsu-San. I'm also obsessed with psychology+neuroscience, currently pursuing a doctorate's in Clinical Psychology!

I'm the guy!

DISPOSABLE INCOME AND POOR IMPULSE CONTROL

WISHLIST

the numbers in parentheses are how much i may be willing to pay for these. if there's anyone out there who owns any one these and would be comfortable parting with them, please feel free to contact me on my email!
[email protected]
prices can be discussed.
Synthesizer V:
ROSE (130)
POPY (130)
Vocaloid4:
Tone Rion V4 (250)
Fukase (500)
LUMI (250)
Luo Tiyanyi jp (200)
Arsloid (200)
Vocaloid 3:
Galaco (200)
Anon + Kanon (250)
Zola Project (300)

I CAN'T EMPHASIZE ENOUGH HOW MUCH I DON'T ACTUALLY CARE ABOUT KIN LISTS. I JUST THOUGHT THIS WOULD BE FUNNY

CHROMATICITY OF FEAR

Chromaticity of Fear is a song series composed of seven original songs, surrounding seven original characters. Aside from one exception, these stories are not inherently linked with one another, and are meant to be read as an anthology.They're connected in that they're meant to represent different types of traumas, and, more importantly, the life one still has to live ahead of the trauma. Past traumatic experiences can represent themselves in the form of abstract fears that may be difficult to understand if taken at face value. These stories are meant to represent the wide breadth of human experiences, and how, no matter one's background, race, or gender, the pursuit of happiness is a universal experience we all share by nature of our humanity."Pain is a part of life, and sharing in that pain with others is a part of love. I accepted that reality when I chose to love so deeply."

(Art assets courtesy of Sceall, who wishes to only be credited by name)